세타가야 미술관에는 기타오지 로산진과 깊은 교류를 나눈 시오다 이와지씨가 소장하고 있던 기타오지 로산진의 서화나 그릇 등 157점의 작품이 기증되어 있습니다(시오다 컬렉션). 얼마 전에는 시세이도 명예회장 후쿠하라 요시하루씨가 오랜 시간 수집해 온 고마이 데쓰로의 판화 작품 약 500점(후쿠하라 컬렉션)도 추가되었습니다. 이러한 기증 컬렉션을 비롯해 크고 작은 다양한 특색 있는 작품군을 소장하고 있으며, 이는 세타가야 미술관의 컬렉션을 구성하고 있습니다.
1940
Ceramic
Ceramicist and calligrapher born in Kamigamo, Kyoto. Began his artistic career as a calligrapher. Traveling around the country as the guest of wealthy merchants and other elites, he began to take an interest in antiques and cuisine. Opened an arts and antiques gallery in 1919. Founded the “Bishoku Club,” a gourmet club, on the second floor of the gallery in 1921. Launched “Hoshigaoka Saryo,” Japan’s only private membership-based restaurant at the time, in 1925. He was expelled from the restaurant in 1936, and later began devoting himself exclusively to pottery making. He displayed diverse talents throughout his life, even publishing a quarterly magazine titled “Doppo.”
1950
©Yoshiko Komai 2017/JAA1700170
Aquatint, etching, and partial monotype on paper Print artist born in the Chuo district of Tokyo. Moved to Setagaya’s Shinmachi area (now Komazawa) in 1947. Began studying etching under Takeo Nishida at the age of fifteen. Enrolled in the oil painting program of the Tokyo School of Fine Arts in 1938. In 1950, he submitted his first work to the Shunyo Art Association, which won the association’s prize. Praise from the painter Shikanosuke Oka catapulted him into the limelight. In 1954, he joined the “Jikken Kobo” avant-garde group. His works depict a monochromatic world of dreams and fantasy. In addition to etchings, they also include many woodcuts, book illustrations, and even colorful monotypes.