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Acerca de las obras del museo

Colecciones con carácter propio

El Museo de Arte de Setagaya posee una colección de 157 obras, entre pinturas y recipientes, de Rosanjin Kitaoji, donadas por Iwaji Shioda, que mantuvo una relación muy estrecha con el artista (Colección Shioda). Yoshiharu Fukuhara, presidente honorífico de Shiseido, cedió también una colección que reunió durante décadas, compuesta por unas quinientas estampas de Tetsuro Komai (Colección Fukuhara). Estas colecciones donadas, junto con un conjunto de obras de variados caracteres y tamaños, componen la colección del museo.

Kitaoji Rosanjin (1883-1959)

‘Large Bowl with Cherry-Blossoms and Maple Trees in Underglaze Iron and Overglaze Enamels’

1940 
Ceramic

Kitaoji Rosanjin (1883-1959), ‘Large Bowl with Cherry-Blossoms and Maple Trees in Underglaze Iron and Overglaze Enamels’, 1960

Ceramicist and calligrapher born in Kamigamo, Kyoto. Began his artistic career as a calligrapher. Traveling around the country as the guest of wealthy merchants and other elites, he began to take an interest in antiques and cuisine. Opened an arts and antiques gallery in 1919. Founded the “Bishoku Club,” a gourmet club, on the second floor of the gallery in 1921. Launched “Hoshigaoka Saryo,” Japan’s only private membership-based restaurant at the time, in 1925. He was expelled from the restaurant in 1936, and later began devoting himself exclusively to pottery making. He displayed diverse talents throughout his life, even publishing a quarterly magazine titled “Doppo.”

Komai Tetsuro (1920-1976)

‘Portrait of Mrs.R’

1950 
©Yoshiko Komai 2017/JAA1700170

Komai Tetsuro (1920-1976), ‘Portrait of Mrs.R’, 1950, ©Yoshiko Komai 2017/JAA1700170

Aquatint, etching, and partial monotype on paper Print artist born in the Chuo district of Tokyo. Moved to Setagaya’s Shinmachi area (now Komazawa) in 1947. Began studying etching under Takeo Nishida at the age of fifteen. Enrolled in the oil painting program of the Tokyo School of Fine Arts in 1938. In 1950, he submitted his first work to the Shunyo Art Association, which won the association’s prize. Praise from the painter Shikanosuke Oka catapulted him into the limelight. In 1954, he joined the “Jikken Kobo” avant-garde group. His works depict a monochromatic world of dreams and fantasy. In addition to etchings, they also include many woodcuts, book illustrations, and even colorful monotypes.